Best about Bilbao

Sorry for the lack of posts! I escaped the grey skies and went on holiday to Northern Spain to visit friends in Santander. I was very happy to see my friends again and to catch a bit of warmth and sunshine (though Northern Spain isn't as hot as you might think, the weather is pretty temperamental and they do get quite a bit of rain. Which means it's very green; the landscape is just stunning!)

We started off our trip in Bilbao. Best things: €1.20 for a glass of good wine and the pinxtos, sort of like the Basque version of tapas. They are served on the top of the bar and you just have your pick. Most of them include ham, seafood and/or tortilla. Mmmm!!

Equally as good are the museums in Bilbao. Of course The Guggenheim is the most famous, but we also enjoyed the Fine Arts Museum, where we visited an exhibition of etchings by Goya (entrance is free on Wednesdays!).

∧ Frank Gehry's Guggenheim is worth a visit no matter what's on. But as it happened David Hockney's exhibition A Bigger Picture was on show! I had missed this exhibition at the Royal Academy in London, so I was thrilled that I was offered a second chance. 

The exhibition focuses on Hockney's fascination with the landscape. It shows his latest iPad paintings, as well as older works that has lead up to these works. Over the last 10 years Hockney, who has lived in California since the 1960s, has spent a lot of time capturing the scenery of his native Yorkshire. I was especially impressed by the watercolors he did there. He has a great technique and the colors are so vibrant for watercolor. It was also amazing to see that he used a gadget like the iPad for a theme that is so traditional as the landscape, and that he managed to paint on the iPad in the same way as he would on canvas; they are undoubtedly Hockneys.

A few of his (large format) watercolor sketchbooks were on display as well. I personally find it difficult to draw or paint the 'bigger picture' (landscapes, rooms, environments in general) and I found his sketchbooks so inspirational that I bought A Yorkshire Sketchbook. The sketches are quite simple, but very effective and convincing.

Interesting faces

Totally inspired by the Grayson Perry exhibition and replenished with tea and a scone from the cafe I started wondering through the rest of the British Museum. It truly is a treasure chest! I went downstairs to the African section first hoping to find out more about the masks I bought in a charity shop recently. Idle hope of course... But I did see a lot of other interesting faces!

 

 

∧ Don't these African masks remind you of the rabbit from Alice in Wonderland?! 

  

 

 ∧ Love Assyrian beards!

 ∧ The Etruscans also did nice beards. ∨

 

 

 ∧ Brrr.. F.R.E.A.K.Y.!

The Tomb of the Unknown Craftsman

As soon as I set foot on London soil this last Friday, I hurried myself to the British Museum for the Grayson Perry exhibition The Tomb of the Unknown Craftsman. What a joy it was!  

Perry curated his own show, displaying new as well as older works next to artifacts that he had picked from the British Museum's vast collection (it contains 8 million objects!). I know the man mainly for his ceramics: vases on which he makes beautiful drawings and collages. But I loved seeing works in other media here. I love the themes in his work like shrines, magic, maps, 'scary figures', gender, authenticity ("I love fakes for they make us think about what is is we see in the authentic") and craftsmanship itself. I love how he draws from folklore and outsider art, and mixes tradition with the contemporary. I also love the fact that he talks about his art in a pretty straight forward, unpretentious way and the way he sees himself as an artist: 

"Part of my role as an artist is similar to that of a shaman or witch doctor. I dress up, I tell stories, give things meaning and make them a bit more significant. Like religion this is not a rational process, I use my intuition (...)"

As you can tell by my multiple use of the word LOVE I really LOVED this show and I urge you to go and see it if you have the chance!! It's on until 19th February 2012.

∧ The Rosetta Vase.

∧ detail of  The Rosetta Vase. 

 

∧ The Frivolous Now.

He made the sketch for this vase the evening before decorating it by doodling away in front of the telly. 

∧ A dish from c. 1700. You can see where he gets his mustard.

 

 ∧ One of the most impressive pieces was this immense tapestry (almost 3 x 7 meters),
depicting religious and secular pilgrimage destinations.

∧ Perry went on a pilgrimage himself, to Germany, on this motor cycle, with on the back seat his 50-year-old teddybear Alan Measles (“the benign dictator of my childhood imaginary world”). 

 

 

∧ He made sort of a pope-mobile construction for Alan. The bike is on display at the British Museum, but the teddy is a replica. The real Alan is far too precious to be displayed! 

 

∧ Inspired by pilgrimage tokens/souvenirs Perry designed one for his and Alan's own pilgrimage. Several tokens were on display including this contemporary one from Japan:

"Perhaps more than any other object this hand towel embodies the spirit of this exhibition. It is fitting that it comes from Japan, a country that seems to have a remarkable ability to blend ancient traditions with modern technology and popular culture. Two Hello Kitty characters, created for merchandising in 1974, are dressed as traditional Japanese pilgrims (o-henro-san) in white robes, sticks and straw hats. This towel was sold as a souvenir on the island of Shikoku, famous for its 1200 km pilgrimage route taking in 88 Buddhist temples. So here we have an object featuring modern cartoon characters and a ritual dating back to the 18th century AD coming together on an object carried in most Japanese women's handbags."